It’s a family affair.
Kane Parsons, the 20-year-old filmmaker behind the box office phenomenon Backrooms — that took in $118 million this weekend, beating the latest Star Wars installment — is a former YouTuber who lives with his parents in a quiet suburban neighborhood in California.
Hollywood’s hottest new director, the youngest ever to be hired by indie film company A24, still lives in the modest four-bedroom home according to property records — which stands in stark contrast to the lavish estates typically associated with Hollywood success.
Parson’s viral internet horror series “The Backrooms” was transformed into a major motion picture this year.
The roughly 1,700-square-foot property was purchased by his parents Michael and Susan Taylor Parsons in 2004 for $425,000, though they divorced when Parsons was young.
The home sits on a typical suburban lot in a neighborhood developed largely during the 1980s and 1990s.
Yet it was from this unassuming setting that Parsons built one of the internet’s most successful horror franchises.
In January 2022, while still a teenager, Parsons uploaded “The Backrooms” series (Found Footage) to YouTube. The short film transformed an obscure internet creepypasta into a mainstream phenomenon, generating tens of millions of views and spawning an entire franchise of follow-up videos.
The series ultimately accumulated nearly 200 million views across YouTube, drawing attention from Hollywood studios eager to capitalize on internet-born intellectual property.
A24 eventually partnered with Parsons to adapt the concept into a feature film, making him the youngest director in the studio’s history when the project was announced.
The gamble paid off.
Released over the weekend, Backrooms opened to approximately $81 million domestically and roughly $118 million worldwide, delivering the largest opening in A24’s history and making Parsons the youngest filmmaker ever to direct a No. 1 movie at the North American box office.
The film stars Chiwetel Ejiofor, Renate Reinsve and Mark Duplass, and was produced with backing from Atomic Monster, the company founded by horror heavyweight James Wan.
While production later shifted to Vancouver and other locations, Parsons’ rise remains rooted in Northern California.
The filmmaker has frequently spoken about teaching himself visual effects and animation as a teenager, developing the skills that would ultimately attract the attention of one of Hollywood’s most influential independent studios.
It is unclear if he still remains in the home. The Post has reached out to Parsons for comment.
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