The trouble, Kairam argues, is that the film pitches these as thought-provoking questions about love, marriage, career and societal pressure when most of the audience has already lived through them and found their answers. Beyond a few bright spots, including the scenes with MAD director Kalyan Shankar, the touches involving Aditya’s parents and Hesham Abdul Wahab’s melodious songs, Epic is as derivative, eccentric and pretentious as it gets, with the UK backdrop perhaps its only distinguishing feature.
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