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You are at:Home»Box Office»‘Moana’ Runs Aground at Box Office With $43M Opening
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‘Moana’ Runs Aground at Box Office With $43M Opening

By Hollywood ZIngJuly 12, 2026No Comments5 Mins Read0 Views
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‘Moana’ Runs Aground at Box Office With M Opening
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Disney’s live-action Moana, which stars Dwayne Johnson and Catherine Laga’aia, got off to a rocky start as the reimagining of the original 2016 animated feature opened at the box office.

Director Thomas Kail’s new feature led the weekend in opening with $43 million from 3,900 North American screens, putting it well short of its targeted $60 million-plus figure after initial tracking suggested the film could even reach $75 million. Earning an A- CinemaScore from audiences, Moana carries a $250 million production budget and will need to draw families in the coming summer stretch as Christopher Nolan’s R-rated The Odyssey joins the fray next weekend from Universal. Moana added $52 million from overseas markets.

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Moana’s audience was 66 percent female, which could bode well opposite next weekend’s more male-skewing The Odyssey. Meanwhile, 56 percent of viewers were parents with children, which is higher than most Disney live-action remakes. Moviegoers under 18 found Moana especially transportive, giving the film an A+ CinemaScore.

This start is reminiscent of the $42 million opening in March 2025 for Rachel Zegler and Gal Gadot’s Snow White, a box office disappointment that earned a B+ CinemaScore and had a production budget of $270 million. Weeks after the subdued debut, Disney paused development on its planned live-action Tangled. The feature went back into development in the fall following the success of Lilo & Stitch, which opened in May 2025 to $146 million in North America, en route to hitting $1 billion globally. Tangled is currently in production in Spain, while a live-action sequel to Lilo & Stitch is on its way.

The original Moana becomes the most recent Disney animated property to be given the live-action treatment, with the first film having hit theaters less than a decade ago when it scored an $82 million five-day domestic opening over Thanksgiving in 2016, leading to a $643 million global cume. That 2016 film introduced Johnson as demigod Maui alongside Auli’i Cravalho as the titular girl with exceptional navigation skills, with the pair teaming up to stop a curse from targeting her island.

An even bigger hit when it debuted theatrically less than two years ago was Moana 2, the animated 2024 sequel that saw Johnson and Cravalho reprise their roles. Originally conceived as a Disney+ series, Moana 2 opened to $225 million domestically over the five-day Thanksgiving frame and ultimately surpassed $1 billion globally for its run. However, moving it to a theatrical release created a tricky timing situation for the live-action Moana, which began production in mid-2024 after a delay amid the strikes.

Disney’s live-action remakes of its popular animated properties have included such photorealistic versions as Alice in Wonderland (2010), Beauty and the Beast (2017) and The Lion King (2019), all of which opened to more than $100 million domestically. Those three had the benefit of a higher Rotten Tomatoes score than the live-action Moana’s current 34 percent critics rating, although The Hollywood Reporter’s review from chief film critic David Rooney noted that “this charming new iteration stands confidently on its own.”

In contrast to the critic score, the new Moana is “verified hot” with a 90 percent approval for audiences on Rotten Tomatoes. The franchise clearly has plenty of fans, as Disney touts that the property has amassed more than 1.5 billion hours streamed on Disney+, along with selling more than 22 million toys and surpassing 26 billion music streams. Additionally, the original 2016 movie remains Disney+’s most-watched feature.

Also opening in wide release is Warner Bros.’ Evil Dead Burn, which kept the No. 4 spot warm with $13.7 million domestically. Souheila Yacoub, Tandi Wright and Hunter Doohan star in director Sébastien Vanicek’s movie that marks the sixth title in the Evil Dead horror franchise after it kicked off with Sam Raimi’s 1981 original.

In his review for THR, Rooney noted the latest film’s “orgiastic slaughter.” Earning a B CinemaScore, the new installment follows Evil Dead Rise, which opened to $24.5 million domestically in April 2023.

After kicking off its box office run last week, Universal’s Minions & Monsters provided family competition for Moana and landed in second place with a frame of $20.5 million, declining 45 percent. This brings its domestic run to $108.2 million after notching the lowest opening weekend for a film in Illumination’s Despicable Me franchise that launched in 2010.

Taking third place is Disney’s Toy Story 5, featuring the returns of voice stars Tom Hanks and Tim Allen. The animated sequel scooped up $18.5 million to raise its global cume to $879.1 million.

Young Washington rounds out the top five, as the Angel Studios release collected $6.4 million in its sophomore frame. William Franklyn-Miller stars as a twentysomething George Washington in the film that now stands at $33.1 million after opening over the Fourth of July weekend.

A24 continued to expand director Olivia Wilde’s relationship comedy The Invite in its third weekend, as the standout from the 2026 Sundance Film Festival increased to 1,610 North American screens. With a cast that includes Wilde, Seth Rogen, Penélope Cruz and Edward Norton, the Annapurna-produced movie delivered $5.7 million, bringing its domestic total to $7.3 million.

Over the weekend, Michael crossed $1 billion globally, becoming the second 2026 title to reach the milestone after Universal’s The Super Mario Galaxy Movie. Lionsgate released the Michael Jackson-centric feature in U.S. theaters April 24, and it has since become the highest-grossing biopic ever after passing Oppenheimer, not to mention the studio’s first title to hit the billion-dollar mark. Michael stars Jaafar Jackson, a nephew of the late music superstar.

“This historic milestone is a testament to the enduring power of cinema to bring us together, and it is a chapter in movie history I will never forget,” Michael director Antoine Fuqua said in a statement.

This story was first published on July 11 at 9:58 a.m.

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