‘Rock Springs’ Review: Kelly Marie Tran in Vivid Spin on Grief Horror

After the death of her husband, Emily (Kelly Marie Tran) doesn’t know what to do. Her daughter Gracie (Aria Kim) hasn’t spoken in the six months since her father’s passing, and seems to be withdrawing more and more every day. Her mother-in-law, Nai Nai (Fiona Fu), copes with her son’s death through traditional Chinese spirituality, which she shares with her granddaughter. But Emily is Vietnamese and doesn’t speak the language. It’s just now that her husband is gone that Emily is forced to confront the cultural gap between her and those closest to her. Only showing her grief privately, Emily emotionally isolates herself, hoping that pushing forward will heal all the pain. But starting over in Rock Springs, Wyoming, proves to be more difficult than she could have ever anticipated. 

Nai Nai warned against moving during “Ghost Week”, a time when the barrier between the spirit world and our world comes down. In Chinese culture, the mourning families must pray for their departed loved ones, guiding their souls to peace in the afterlife. Mourning is communal, and as families share their grief, they’re supposed to find healing together. But Nai Nai also warns Gracie about “Hungry Ghosts”, those who die scared and alone with no family members to guide them home.

When Gracie steals an old doll from a garage sale, it puts her in contact with a spirit she hopes is her father. But writer and director Vera Miao has other plans, using Gracie and her family to tell a multi-generational story of racism, grief and trauma. When Gracie disappears into the woods, past and present collide as she comes face to face with the spirits of dead miners. And what began as a small tale expands to become a confrontation with generational sadness and spiritual unrest.

In 1885, on the same land where Emily chose to restart her life with her family, a tragedy occurred. A village of Chinese migrant men was massacred and their homes destroyed. At least 28 Chinese miners were killed that day, with other sources indicating a death toll of 40 or 50 people. Only 15 survived with injuries at the hands of angry white settlers who resented that the local mining company had employed them in the first place. These settlers were never prosecuted for what is now known as the worst mass shooting in Wyoming history. To many viewers, this film will be an introduction to this historic tragedy. 

Miao takes us back to that day, showing us a tight-knit group of miners with Ah Tseng (Benedict Wong) and He Yew (Jimmy O. Yang) at the center. Before the attacks begin, they discuss their homeland and new identity as Americans. Though Ah Tseng has been in the country longer — having worked on the railroads — he seems to doubt the idea that the United States could really be called home. The murderous white settlers only solidify his doubt before his untimely death. The fallen men are piled into a mass grave in the woods right outside Emily’s new house.

Cinematographer Heyjin Jun cuts through the sadness with breathtaking images of forest and landscape, showcasing the beautiful land spoiled by blood and hate. Tran gives a compelling performance as a young widow adjusting to single parenthood and suddenly being the head of her household. Since her breakout performance in Star Wars: The Last Jedi, Tran has struggled to find meaningful roles that allow her to show her range. But she excels here as a woman haunted by her husband’s death and afraid to embrace the traditions that give her daughter comfort. She has great chemistry with newcomer Kim, a gifted young actress who manages to be expressive while rarely uttering a single word.

Rock Springs is a big swing from Miao that pays off in the end, blending drama, horror and ugly American history to create a truly heartbreaking and hopefully healing experience.