Steven Spielberg is back on top of the box office. Steven Spielberg‘s Disclosure Day opened in first place with an estimated $44 million. The science fiction thriller drew that haul from 3,824 theaters. That gave summer moviegoing another welcome jolt. The number landed ahead of most projections too. Audiences clearly still turn out for original big screen sci-fi when the right director steers it.
Steven Spielberg’s Disclosure Day powers the weekend box office
Overseas, the film added $48.9 million. That pushed its global launch to $92.9 million. A long road still waits before the movie justifies its hefty production and marketing costs. Even so, the start hands Steven Spielberg‘s Disclosure Day a sturdy base for the weeks ahead.
Critics have mostly embraced it. Audience reactions skew a bit more mixed. Still, Spielberg films show real staying power. His track record hints this story has barely started.
Obsession refuses to slow down
If Steven Spielberg‘s Disclosure Day owned the weekend, Obsession owns the summer.
The breakout horror hit earned another $19 million in weekend five. It slipped only 25 percent from the prior frame. For any movie, that hold is remarkable. For horror, it borders on stunning.
Here is the wild part. Obsession has now topped its strong opening across four straight weekends. The film sits at $188.3 million at home and $265 million worldwide. That makes it the biggest earner Focus Features has ever released. A modest debut became one of the year’s defining box office tales.
Backrooms keeps its horror grip
Another horror sensation shows no quit either.
Backrooms grabbed fourth place on the weekend box office chart with $12 million in weekend three. Domestic box office now reaches $160 million. Worldwide, the total nears $250 million.
What makes the run special? The property started with online creator Kane Parsons. Once again, an idea born online became a true theatrical event. Backrooms already ranks among A24’s top releases, and each weekend it pushes past expectations.
Scary Movie stumbles in weekend two
After a strong launch, Scary Movie took a hard fall.
The horror comedy pulled $14.5 million and finished third. That marked a 70 percent drop from its debut. Normally that figure sparks worry. Here the math still works thanks to a lean budget.
So far Scary Movie has banked $84.5 million at home and $173.1 million worldwide. Those totals should keep the franchise comfortably in the black. The next few weekends will reveal whether it steadies or keeps sliding.
Masters of the Universe faces trouble
Among the top five, Masters of the Universe carries the heaviest worry.
The fantasy adventure managed just $8.6 million in weekend two. It fell to fifth and reached $45.7 million at home. Worldwide takings climbed past $70 million. Those figures sting given a reported budget near $200 million. Built on the Mattel brand, the movie seems stuck with its core fans. Pricey blockbusters need broad crowds to profit, and this one faces a steep climb.
Beyond Steven Spielberg’s Disclosure Day, the summer box office heats up
Just below the leaders, Star Wars: The Mandalorian and Grogu kept limping along. It added $4.7 million in weekend four, reaching $165 million at home and $315 million worldwide.
Further down, the comedy Stop! That! Train! opened to $2 million from 1,161 theaters. Led by RuPaul, the parody pleased its target crowd and drew warm reviews.
Zoom out and the picture cheers theater owners. Domestic ticket sales run more than 13 percent ahead of last year. The gap with summer numbers from before the pandemic keeps shrinking.
Now everyone watches Toy Story 5. Pixar’s sequel should become summer’s first $100 million debut. After Steven Spielberg‘s Disclosure Day proved originals can still win, the back half looks loaded. Minions & Monsters, Christopher Nolan‘s The Odyssey, and Spider-Man: Brand New Day all wait ahead. The summer box office 2026 might rank among the best in years.
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