Tuner follows Niki White, played by Leo Woodall, a gifted jazz pianist whose life is dismantled by a diagnosis of hyperacusis — a condition that makes every day sounds unbearably loud to his extra-sensitive hearing.
With the career he had spent his life building towards stripped away from him, he turns to piano tuning under the tutelage of his late father’s closest friend, Harry Horowitz. He encounters Ruthie, a young pianist studying composition, while on a tuning job, and the two are eventually drawn together. Gradually faced with unexpected circumstances, Niki is forced to confront what he has lost, what he still wants and how far he is willing to go.
The film wastes no time getting to the point; there is no slow build or gentle easing into Niki’s world, and while the opening act may feel slightly rushed for it, this is likely a deliberate choice to make room for the unexpected series of ups and downs packed into the rest of the film. From its very first minute, the film establishes that Niki is deeply unhappy with the life he now lives. At this time, the closest he is to happiness is in the company of his mentor Horowitz and his tender, sharp-witted wife, Marla.
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