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You are at:Home»Box Office»Box Office: ‘Toy Story 5’ Eyes 2026 Record Opening of $160M
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Box Office: ‘Toy Story 5’ Eyes 2026 Record Opening of $160M

By Hollywood ZIngJune 21, 2026No Comments17 Mins Read0 Views
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Box Office: ‘Toy Story 5’ Eyes 2026 Record Opening of 0M
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SUNDAY AM: Refresh for chart and more…Disney/Pixar‘s Toy Story 5 is coming in at $160M, still the best opening any movie has seen this year, the second best opening ever for an animated film stateside behind Pixar’s own Incredibles 2 ($182.6M) and the third best June has had following Universal’s 2015 Jurassic World ($208.8M) and Incredibles 2. Also, yes, this opening for Toy Story 5 is a record start for the franchise as we knew it would be going into the weekend.

In terms of the global start here at $312 WW, that’s the best opening YTD, and second for a Pixar movie of all-time (excluding China) behind Inside Out 2‘s $384M.

2026 has been a great rebound year for Pixar along with the $45.3M opening of original pic Hoppers back in the spring. The Emeryville, CA studio post Covid has had wobbly legs for a beat there with low openers such as Lightyear ($50.5M, Toy Story fans weren’t wild over the spinoff as Captain America himself, Chris Evans, took over the vocal cords of Tim Allen; that was one reason for its misfire), and originals Elemental ($29.6M) and Elio ($20.8M). With Pixar films such as Seeing Red, Luca, and Soul going straight to Disney+ during Covid, some in the business believed the brand conditioned their fans to stay at home. Or at least wait at home whenever the buzz for the studio’s fare was less than platinum.

Saturday filed $47M+, -33% off the Juneteenth and previews of $71M. No one saw it that steep, but it was bound to be as it was arguably the highest Juneteenth at the B.O. since the day became a federal holiday in 2021 (Inside Out 2 posted $30.1M on Juneteenth 2024 when it fell on a Wednesday). Note a majority of schools are already off for the summer, but with parents off, it becomes a big moviegoing day.

As far as today, Father’s Day, which Pixar banks on, the forecast is that the day will hold some -19%.

Great movies rise to the top and audiences love this at 95% on Rotten Tomatoes and the franchise’s fourth A CinemaScore (Toy Story 2 was A+). But Disney had a friend in Taylor Swift whose addition of the song “I Knew It, I Know You”, which was late breaking in the campaign, certainly that got any Swift-ies in the door if they were ever on the fence.

AMC Disney Springs 24 in Lake Buena Vista, Florida is still the highest grossing venue for the fifthquel with $371K through Saturday.

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SATURDAY AM: Disney/Pixar’s Toy Story 5 came from very close – very close – to toppling the Incredibles 2 box office record for best first day for an animated movie with $71M yesterday (including previews).

That was spurred by big walk-up business according to Rentrak and Screen Engine’s PostTrak with 48% buying their tickets same-day. Incredibles 2 grossed $71.2M including previews. Toy Story 5‘s previews/Friday are the best we’ve seen at the box office since 2024’s Disney/Marvel movie Deadpool & Wolverine which did $96M. The 3-day guidance on Toy Story 5 stateside is still $160M-$170M, which would rep a franchise record, the best domestic opening of 2026 to date, and the second best 3-day opening ever for an animated movie behind Incredibles 2‘s $182.6M.

Worldwide running cume for Toy Story 5 since Wednesday is $129.3M.

Rivals have calmed down their projections (some were seeing $170M-$180M) and have taken into account the ease which Saturday will bring off the huge Juneteenth holiday $71M number which includes $17.5M in Thursday night cash. The calculation for some is that Toy Story 5 eases some -28% today for a Saturday around $51M.

Some may have cried at the end of Toy Story 3, but there’s everything to be happy about in Jessie’s story. Toy Story 5 counts its fourth A for the franchise (Toy Story 2 land an A+) and a 75% definite recommend, plus another 89% definite recommend from parents. The other swing factor is Father’s Day: Toy Story 3 saw a -13% hold on the Daddy day back in 2010, while Inside Out 2 eased -23% in its Saturday-to-Sunday back in 2024. Toy Story 4 is an anomaly for Pixar back in 2019 as the pic didn’t open over Father’s Day weekend, which is usually the studio’s traditional summer launchpad.

PLF and Imax screens are driving 33% of the weekend’s ticket sales for Toy Story 5 which is playing evenly throughout North America, but best in West, South, South Central and Midwest (which is where Toy Story 4 also rallied). AMC Disney Springs 24 in Orlando, Fl stands as the pic’s highest grossing venue so far with more than $235K.

Latino and Hispanic moviegoers grew between Toy Story 4 and 5, from 23% to 30% according to Screen Engine and Rentrak’s PostTrak. Caucasians fell from 49% to 36%. Black and Asian American moviegoers went up a bit from 12% to 13% respectively. Age wise, Toy Story 5 was very similar to Toy Story 4 with women over 25 leading (30%), followed by women under 25 (27%), men over 25 (25%) and men under 25 (20% which is solid considering they gave the movie its lowest grade at 77%). Women under 25 gave the fifthquel its best score at 96%. Women overall are more excited about the movie than guys, 79% to 69% in definite recommend. Women continued to outnumber men, 57% to 43%, just like part 4. The only difference is that there were even more moms the fifth time around at 72% to 28% dads (Toy Story 4 saw 58% moms to 42% dads). Among the under 12 quotient, boys slightly outnumbered girls, 54% to 46%

Very minimal linear spend here on Toy Story 5 per iSpot at $8.8M versus the near $29M U.S. that Disney shelled out to trumpet Star Wars: Mandalorian and Grogu. In further underscoring of the Toy Story brand the whole domestic opening here for the fifthquel will come close to toppling the entire domestic run of that Star Wars movie (which currently stands at $168.9M through yesterday; A24’s indie wonder Backrooms now ahead of it with $170M). iSpot shows that the Toy Story 5 campaign reached 814M impression with spots airing during NBA games, NHL, Good Morning America,Disney Channel’s Big City Greens and Jimmy Kimmel Live. Ads also ran on FX, ESPN and NBC. iSpot spots another near $3M in media value from network and cross-brand promo ads. PostTrak showed that social media was the most powerful form of advertising for Toy Story 5 at 18% followed by the in-theater trailer at 13%.

Overall, 50% of the audience came because they’re huge Toy Story fans. In addition, 49% of the audience would love to see Toy Story 6.

Among the streaming subscribers who went to the theater on Friday, 55% were Netflix subs, 52% were Disney+, 43% were Prime Video members, while 41% have Hulu.

The entire box office for all films thanks to Jessie and friends is zooming toward an estimated $237.6M, the best we’ve seen so far this year, and the best since the 3-day portion of Memorial Day 2025 ($264M) per Box Office Mojo.

  1. Toy Story 5 (Dis) 4,425 theaters, Fri $71M, 3-day $160M-$170M/Wk 1
  2. Disclosure Day (Uni) 3,824 theaters, Fri $4.9M (-74% from last Friday), 3-day $17.2M (-61%), Total $78.4M/Wk 2
  3. Obsession (Foc) 3,053 (-15) theaters, Fri $4.7M (-25%), 3-day $14.2M (-25%), Total $215.8M/Wk 6
  4. Backrooms (A24) 2,851 (-553) theaters, Fri $2.47M (-32%), 3-day $7.5M (-35%), Total $175.3M/Wk 4
  5. Scary Movie (Par) 2,725 (-779) theaters, Fri $2.1M (-56%) 3-day $6.6M (-54%)/Total $97.4M/ Wk 3
  6. Masters of the Universe (AMZ) 2,517 (-1160) theaters, Fri $1.47M (-39%) 3-day $4.9M (-45%), Total $56.2M/Wk 3
  7. Star Wars: Mandalorian and Grogu (Dis) 2000 (-680) theaters, Fri $1.1M (-14%), 3-day $4M (-15%), Total $171.8M/Wk 5
  8. Leviticus (NEON) 1076 theaters, Fri $1.3M 3-day $3M/Wk 1
    A better definite recommend than Robin Hood at 62% with women leading at 57%. No CinemaScore. Big proportional turnout by the 18-34 club at 79% with diversity demos at 44% Caucasian, 29% Latino and Hispanic, 15% Black and 10% Asian American. This film is playing best in the East and West. Over 51% of the total gross is coming from the coasts, compared to the regal rate of 42%. The AMC Burbank is LA is the top grossing venue with close to $19K.
  9. Death of Robin Hood (A24) 1762 theaters, Fri $1.1M, 3-day $2.5M/Wk 1
    The Hugh Jackman-Jodie Comer starring, Michael Sarnoski period drama gets a C+. Not a good showing here for the Jackman pic which A24 took North American on for $4M. By comparison, Jackman’s 2015 sports movie Eddie the Eagle is huge with a $6M opening. Those who showed up gave it a 38% definite recommend, enough to inflict dying pain into Robin Hood. 60% men to 40% women turnout. Any money made came from West, South, Mountain, and Quebec. AMC Lincoln Square had the most gross with $5K so far.
  10. Michael (LG) 1434 (-822) theaters, Fri $615K, 3-day $2.1M (-50%), Total $367.8M/Wk 9
  11. Girls Like Girls (Foc) 504 theaters, Fri $920K, 3-day $2M/Wk 1
    We hear there are good ticket sales coming out of NYC, LA, Montreal, Austin, Vancouver and Vegas for the Hayley Kiyoko feature directorial debut which is 88% with critics on Rotten Tomatoes and 95% with moviegoers. The movie is based on Kiyoko’s hit song and viral music video of the same name. The movie is billed as a universal story about falling in love for the first time and learning to accept yourself along the way.

FRIDAY AFTERNOON UPDATE: Disney/Pixar’s Toy Story 5 is not only bound for the biggest opening of the year, but potentially the the largest over the last two years with a Friday-Sunday of $160M-$170M+ in U.S./Canada after a Friday that’s growing with more than $71M at 4,425 theaters. That figure, of course, includes last night’s $17.5M franchise best and YTD previews. We’ll wait for this opening to settle before we start placing it among best animated and Pixar openings.

The tricky factor is how big today is and figuring out what tomorrow is. Sources believe that Saturday will be -20% or less from today’s box office plus previews. As we mentioned, forecasts were wild for Toy Story 4 heading into the weekend with $160M. It simmered down to $120.9M which was a franchise best and still damn good. As the old tracking excuse goes, sometimes it’s hard to forecast these $100M+ openers given the small sample with precision.

Best opening of 2025 was A Minecraft Movie with $162.7M and previews/first Friday of $57.1M. The best opening of 2024, and the last biggie, was Deadpool & Wolverine at $211.4M.

RelishMix measures the social media reach before opening for the Andrew Stanton directed movie at 711.8M across Tik Tok, Instagram, X, Facebook and YouTube which is higher than 2022’s Minions: The Rise of Gru (668.4M) and The Incredibles 2 (687M). YouTube views at 341M are higher than Kung Fu Panda 4‘s 172M and Rise of Gru‘s 220M.

Reports RelishMix, “The Taylor Swift music effect brings 538M fans with all of her social channels activated and pushing materials, especially her song “I Knew It, I Knew You”. Tim Allen is the only cast who’s activated with reach at 160K, with the Hanks social network of 34.9M which has yet to activate on the film.”

Expounds the social media analytics firm in their latest report: “Convo runs positive for Toy Story 5 as Pixar discovers the most effective millennial marketing strategy ever invented: Remind adults they are old now and hand them an emotional support cowboy. The tech-versus-toys angle lands hard with parents and older Gen Z, creating a surprisingly thoughtful emotional hook instead of just nostalgia bait. A huge portion of chatter frames the film as a generational handoff movie in the same emotional lane as Toy Story 3, while others compare the evolving themes to the maturity jump in Cars 3. Fans also respond strongly to Woody and Buzz reuniting, with the trailer triggering emotional memory recall more than spectacle. ‘This almost made me cry. I’m 32 years old and the feeling this gave me was amazing’ and ‘I’ll be 27 when Toy Story 5 comes out and now I have two small children to take to the cinema.’ The ‘iPad kid’ commentary unexpectedly becomes the trailer’s breakout conversation driver, positioning the film as culturally relevant rather than purely nostalgic. ‘At first I thought ugh not another Toy Story but the plot is perfect, raise awareness on iPad babies.’ Even skeptical viewers soften once the emotional themes kick in. ‘I thought this was gonna feel like a soulless cash grab sequel but I like the traditional play versus tech angle” and “This feels like it’s going back to its roots.’”

Top 5 weekend:

  1. Toy Story 5 (Dis) 4,425 theaters, Fri $71M, 3-day $160M-$170M/Wk 1
  2. Disclosure Day (Uni) 3,824 theaters, Fri $4.6M, 3-day $16.5M (-63%), Total $77.7M/Wk 2
  3. Obsession (Foc) 3,053 theaters, Fri $4.3M, 3-day $13.1M (-31%), Total $214.7M/Wk 6
  4. Backrooms (A24) 2,851 theaters, Fri $2.4M, 3-day $7.5M (-35%), Total $175.3M/Wk 4,
  5. Scary Movie (Par) 2,725 (-779) theaters, Fri $2.2M 3-day $7M (-51%)/Total $97.9M/ Wk 3

Notables:

Leviticus (NEON) 1,076 theaters, Fri $1.5M 3-day $3.85M/Wk 1

Death of Robin Hood (A24) 1,782 theaters, Fri $1M, 3-day $2.75M/Wk 1

Girls Like Girls (For) 504 theaters, Fri $900K, 3-day $2M/Wk 1

UPDATED AFTER EXCLUSIVE: Toy Story 5 previews are at $17.5 million, not only the best for the franchise but also the second best ever for Pixar as well as any animated movie, and the best 2026 year-to-date. The Rotten Tomatoes audience score is at a very healthy 93%, just under the 94% of Toy Story 4 and Inside Out 2.

The top five previews of all time for an animated movie at the domestic box office are Incredibles 2 ($18.5M, $182.6M 3-day opening), Toy Story 5, Spider-Man: Across the Spider-Verse ($17.4M, $120.7M), Moana 2 ($13.8M Tuesday previews, $140M 3-day) and Inside Out 2 ($13M, $154.2M).

Today with the Juneteenth holiday in the U.S. is expected to be a box office day, so anyone calculating box office will need to figure the appropriate uptick (sans previews) for Saturday. Overall, the outlook for Toy Story 5 is $140M over three days for U.S./Canada, which would easily be a franchise record.

RELATED: The 25 Highest-Grossing Animated Films Of All Time At The Global Box Office

So far, Toy Story 5 is No. 1 in the markets where it has bowed with a current foreign take of $26M. The Andrew Stanton-directed fifthquel bowed in 28 markets Thursday including Italy, Australia, Brazil and Mexico, taking the full total to 41 material markets to date.

Mexico is the biggest territory so far with $6.7M, which also doubled as the second-highest opening day of 2026 and a strong 86% market share.

Brazil with $1.4M counts a 66% market share. In the rest of Latin America, the pic posted the second–highest Pixar opening day of all time in Chile, Paraguay and Uruguay. It was the third-highest Pixar opening day of all time in Colombia, Peru ($1M, currently seventh best market for the pic) and Central America. It was also the highest opening day of 2026 to date in Chile and Paraguay. Even though Toy Story 5 posted the second highest opening day of 2026 to date in Argentina, that market is currently the pic’s fifth best with $1.1M.

On Wednesday, Woody, Buzz, and Jessie saw the third best opening day of 2026 in France, with a No. 1 rank and current cume of $2.1M.

The movie took a 51% share in Spain, where its first day was the third highest for an MPA movie YTD; current cume is $1.7M. The pic also opened well in both Poland and Netherlands with strong market shares in Sweden (49%) and Finland (45%) on Wednesday. In Italy on Thursday, Toy Story 5 saw the fifth-highest opening day for a Pixar movie with a 67% share. In the rest of Europe, Disney’s latest posted the highest animated opening day of all time in Saudi Arabia, and the highest Pixar opening day of all time in UAE, Kuwait, Qatar, Oman and Egypt.

On Wednesday, the pic also opened in Korea, where it nabbed a 50% market share and repped the third-highest MPA opening day YTD, and the fifth-highest Pixar opening of all time. Social scores are strong with Naver 9.69/CGV 98%. Currently, Korea is tied with Argentina as Toy Story 5‘s fifth best market with $1.1M.

Yesterday, Toy Story 5 charted the third-highest Pixar opening day of all time in Australia with a 52% market share. In the rest of Asia, it posted the second-highest MPA opening day of 2026 to date in Singapore and Thailand and was also the fourth-highest Pixar opening day of all time and third-highest opening day of 2026 to date in New Zealand; market shares are above 45% in all three markets.

On Wednesday, Toy Story 5 posted the best Pixar opening day of all-time in Malaysia (as well as best for a MPA title YTD), the third-highest opening day for the Emeryville, CA studio (and second best for MPA title YTD) in the Philippines, as well as the best MPA opening day YTD in Indonesia. Alright, Toy Story 5 is doing fantastic everywhere, OK?

Joe Bird in ‘Leviticus’

Ben Saunders/Sundance Institute

Elsewhere at the domestic B.O., Neon’s Sundance genre acquisition Leviticus posted $460,000 in early screenings and previews. The Adrian Chiarella-directed movie is 92% certified fresh with critics. Note, Together, Neon’s Sundance pickup that opened last summer, had previews of $900K, but that Dave France-Alison Brie horror romance was on twice as many screens.

As far as the week goes, Universal/Amblin’s Steven Spielberg movie Disclosure Day beat Obsession in the weekdays — except for yesterday, where the Curry Barker movie was $3M to the alien pic’s $2.9M.

1.) Disclosure Day (Uni) 3,824 theatres, Wk $61.2M/Wk 1

2.) Obsession (Foc) 3,068 theaters, Wk $32.2M (-25%), Total $201.6M/Wk 5

3.) Scary Movie (Par) 3,504 theaters, Wk $20.8M (-70%), Total $90.8M/Wk 2

4.) Backrooms (A24) 3,404 theaters, Wk $18.9M (-52%), Total $167.7M/Wk 3

5.) Masters of the Universe (AMZ) 3,677 theaters, Wk $13.2M (-55%), Total $51.3M/Wk 2

PREVIOUS EXCLUSIVE: We’re hearing from box office sources that Disney/Pixar’s Toy Story 5 is in play for a franchise record tonight when it comes to previews, around $13M-$14M, maybe more. Anything higher than $12M is a record preview night for the franchise. That’s what Toy Story 4 posted back in 2019 off previews that begin in select theaters at 5PM followed by a 6PM wide break.

If that $13M-$14M+ figure holds, that would rep the best previews 2026 has seen so far, higher than Lionsgate’s Michael ($12.6M), Amazon MGM Studios’ Project Hail Mary ($12M) and Disney/Lucasfilm’s Star Wars: Mandalorian and Grogu ($12M). A reminder that Illumination/Universal didn’t hold previews for Super Mario Galaxy Movie, which currently owns the best 3-day opening at the domestic box office YTD with $131.7M.

All good vibes for Toy Story 5 heading into the weekend with a 94% certified fresh critical score. No audience score yet. We heard heading into the weekend that the Andrew Stanton directed fifthquel had $25M in advance ticket sales, ahead of Super Mario Galaxy Movie. Domestic outlook is $140M+ at 4,425 locations with more than enough battery life from PLF and Imax screens. Global forecast is $275M, $135M expected from an 87% footprint abroad including China.

Biggest previews ever for a Pixar movie in U.S./Canada belongs to 2018’s Incredibles 2 ($18.5M), which also owns the weekend record for the Emeryville, CA studio ($182.6M).

2010’s Toy Story 3 posted previews of $4M, back when showtimes began at midnight.

We’ll have more updates in the AM.

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